As said the dear REISER* in the seventies, "we're living formidable time".
After a XXth century so successful in extremes, this XXIth looks even more formidable
the weight of the world and the immense sound miracle getting clearer each other of an always increasing intensity.
To Persist in the way (do*) of the sculpture, archétype* in the current
educated by the nature, the time(weather), the concrete, the gesture (movement), the material (subject), my congeners
the necessity of being for the listening and in phase.
It is a resistance, a food of protection (saving)
skeleton of the philosophy of the everyday life (daily paper) and Ariane's thread
the place and the object of the balance, enters manual and intellectual him(it) to make and " not - not to make ", instinct and reason uncertainty and small happiness.
Most of my recent details(rooms), of pocket or monumental, opened and triangulées " time(weather) / material / pondering ", as icones* concrete which conjugate "opposite", to interieur / to exterieur, feminin / male, raw(gross) / polite, dark and brilliant. They are in relation the some with the others, often in "consequences"("suites"), and the represented as analogical "processes" the perception(collection) of which is upstream to the words. It exist only if we stop(arrest) there.
REISER: scriptwriter and cartoonist
DO: way (Japan)
ARCHETYPE: primitive, universal Symbol. Invariant model common to all the bodies of a natural group
ICON: (eikon "image"). Sign which looks like that it indicates(appoints), to his(her) referent, the indication, the symbol